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Biography : Adrien MOREAU

1843-1946

The late 19th century saw a renewed interest in scenes of the bygone days. Artists like Meissonier, Madou, Detti, Moreau, Hamza and Stone were among its greatest proponents, and the detail and precision of their works were admired by many collectors of the time. People began to look back on the 17th & 18th centuries as an age of elegance, a period in history when, as Meissonier put it men respected their own persons. The graceful gesture, the harmonious attitude… was not a mere pose.

The artiste Adrien MOREAU was a pupil of M. Pils.
Like Van Dyck, the artist Moreau depicted his men as cavaliers, and gived to his grandes dames as much refinement as grace. Moreau’s historical genre was often translated into a display of elegance and refinement of the upper class.

Biography: The artist Moreau was born in Troyes on April 18, 1843. Despite being related to several artists, his family had other aspirations for him besides becoming an artist.
He soon left for Paris to pursue true artistic training in the tradition of the Ecole des Beaux-Arts atelier system. He first worked under Léon Cogniet, but one year later began studying with the great Academic Realist painter Isidore Pils.

Moreau debuted at the Paris Salon in 1868 with “Puis ce Prophète s’en alla et un lion le rencontra et le tua”, a religious subject which placed him among the ranks of the greatest painters of contemporary genre. He followed his debut the next year with a neo-classical painting entitled “Néron chez les Belluaires” (Nero at the house of the Belluaires).
Collectors from across the globe vied for Moreau’s work and many of his important paintings were acquired by the wealthy Americans of the time. Many of Moreau’s paintings were reproduced in important art history books.

During his lifetime the artist received commissions to illustrate several works, including many reprinted works by French literary masters such as Victor Hugo and especially Voltaire.

 

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